Meeting Robert Crumb

What a sweet man. So compassionate, so knowledgable, so hip. I got to hang out with him for a day in San Francisco. We got to pow-wow over our mutual friend the late great Harvey Pekar. So many laughs a few tears. I couldn't believe that he did not know that Harvey credited him for his career taking off. I said to Robert, didn't you at least see the movie American Splendor? Didn't you see the scene where you and Harvey are sitting at the restaurant eating french fries and he shows you his script and you chuckle to yourself about it while you pull out your rapidograph. Then ask him if you can take the script home to illustrate? He said, "Yeah, but I just thought they made up that scene so they could fit me somewhere in the time line." WHAT????? I couldn't believe my ears. I said, I can't believe this? I guess it doesn't matter how famous the artist got, he still remains

somewhat insecure. I told him that Harvey constantly referenced him as "his big break" in the business. Crumb said, "ahh man, I think I'm gonna cry." I felt like some kind of weird underground comix fairy that was floating back and forth passing verbal notes to underground comix legends. One on earth and one in the afterlife. That's just one tiny little story. I'll tell you one more, and then I gotta change a diaper. I said to him while walking across Valencia street, well, nobody can say that you and Harvey didn't deserve your recognition. You guys were some of the hardest working guys in the business. He said to me. "Nobody deserves anything in life." Whoooa.. I was so blown away by that statement. Harvey used to say something similiar.. "It's a total crock of shit the whole fucking thing." he would say. Crumb said to me, "There's billions of artists who put their billions of hours in, and they never got recognized. " Amen brother, nobody deserves anything... more Crumb stories later...

Robert Crumb

This scene of Haight-Ashbury where Robert and Dana famously sold comix (ZAP) out of a
baby carriage is going to be re-printed in T.A.P. #1.

When he turned eighteen, Crumb left home and moved to Cleveland, where he shared an apartment in Cleveland with Marty Phals. He got a job at American Greeting cards and married his first real girlfriend. Crumb was soon feeling trapped in both his job and his marriage. He began taking LSD "as a sort of substitute for committing suicide." It did not bring Crumb freedom, but it might have contributed to his fame. Crumb had a "fuzzy" acid experience in November of 1965 and the aftereffects left him not only "crazy and helpless for six months," but also obsessively productive. By early 1966 he filled sketchbooks with drawings of what would become his most famous characters - Mr. Natural, Devil Girl, Angelfood McSpade, Eggs Ackley, and even the keep on truckin' guys.
January 1967, with just the clothes on his back and not even leaving a note for wife Dana, Crumb "set out for the new mecca" of San Francisco with a couple of acquaintances. Crumb was drawn to the sense of total freedom that emanated from Haight-Ashbury, and he was fascinated by the hippie subculture, but he never felt comfortable around the flower children. In his long sleeve dress shirts and occasional jacket and hat, he was self conscious about how different he looked and even imagined they suspected him of being a narc, but he was not willing to "embrace that scene." Even though he would sometimes refer to the Haight-Ashbury crowd as "my people," he was painfully aware of being an outsider. Crumb describes himself as a painfully shy weirdo during that period. He seldom spoke around people he had not known for a while. Second wife, Aline, says "the only voice he had was his pen."





"Robert began his book publishing career with a wonderfully romantic full-color illustrated novel entitled the ‘Yum Yum Book’."

Before much time had passed Robert’s libido was freed to such an extent that he immersed himself further into his sexual fantasies, which had been tremendously influenced (and corrupted) by his early years of oppressive Catholic upbringing. Much of his later comix work clearly could be considered anti-female in the extreme. Yet there is no doubt that he is a gifted artist and immensely productive to this day.”

Jazz Opera "Leave Me Alone" by Dan Plonsey & Harvey Pekar

Poster illustrated by Pekar Project artist Joseph Remnant. He's also illustrating the Cleveland
graphic novel, One of Harvey's last works in book form. Dig his neo-crumbesque style.



Harvey wrote the Libretto for this performance held at Oberlin College January 2009.
I thought the set design, songs, music and lighting were superb in capturing Pekar's
essence. From what I've known of him and coming over to his house, that's all he had was a
sofa in the middle of his living room in front of a fireplace joined with a coffee table loaded with books and papers. He even had a trash can in the middle of the room for all of the fan mail envelopes he needed to throw away. Various bookshelves and built-ins of more books and records with random unframed posters and art dotted on the stark white walls. It felt more like a bohemian bachelor's pad than a living room.

"No Reservations" Written by Harvey Pekar Illustrated by Tara Seibel

This story was published on SMITHmag.net but has been removed for some unknown reason. It's totally bogus, but NO WORRIES! We hope you enjoy it here at The Alternative Project
{T.A.P. Comix}

This Rock City—Terminally Ill comic story is also getting published in an underground mini comic
{T.A.P. Comix#1}. Along with the limited edition Rock City—Terminally Ill Comic mini Harvey and I put together in 2009. A paypal is being set up for future purchase.

Lake View Cemetery

(Ironically, where Harvey Pekar will be buried and the first comic I wrote.)
From Thecomicsbeat.com "Word has reached us that while a formal memorial service will be announced at a future date, Harvey Pekar will be buried at Lake View Cemetery, Cleveland, in a place of honor next to the grave of Eliot Ness, the famed FBI agent, and another proud son of Cleveland. When Harvey’s future wife, Joyce Brabner, was introduced as a character in the book, she was seen in Lakeview Cemetery.

Crumb's Genesis

Jewish Review of Books
http://www.jewishreviewofbooks.com/authors/detail/harvey-pekar-tara-seibel
*{Robert Crumb gave this comic a thumbs up}

Manifest Equality "We believe in Full & Equal Rights for all Americans with no exceptions."

Meet the Artist : Harvey Pekar :
Why have you chosen to participate in Manifest Equality?
When I heard about this exhibit from my Pekar Project editor Jeff Newelt, I knew right away I wanted to capture my experience of the moment of March 4th, 1970 as a large scale painting, not a comic. It's called "American Splendor: Kent State Shootings Demonstration" and Tara Seibel did a terrific job capturing my memory.
Describe a bit about your submission to the gallery or the creative process you are putting into it.
In 1970, I was working near Case Western Reserve University when the Kent State shootings happened. My bosses were liberal with me, and I had some break time, so I went out to join in the demonstration at Case Western. I went out and there were mobs of people, and they were marching and chanting "Join us! Join us!" So I joined them. i never forgot that and this painting is a perfect way to remember that moment.
What else do you want to manifest?
I don't know what kind of power I have to influence, but through my writing I'd like to bring the world a little closer to peace and equality.
:: You can read Harvey's newest autobiographical comics on the Pekar Project at SMITH Magazine. You can watch Paul Giamatti play Harvey and Harvey play himself in the Sundance Grand Jury Prize-winning film version of his life and work: American Splendor. ::

Meet the Artist: Tara Seibel :
Why have you chosen to participate in Manifest Equality?
The spirit and art created during the Manifest Hope Campaign was drop-dead gorgeous. I'm thrilled to be a part of this on-going quest to bring hope, new possibilities and change to our country through artistic and collaborative endeavors.
Describe a bit about your submission to the gallery or the creative process you are putting into it?
Harvey Pekar and I are working on a piece entitled "American Splendor: Kent State Shootings Demonstration." It's an original large scale painting based on a memory of Harvey's from May 4th, 1970 -- during the day of the Kent State shootings.
Essentially, I will be painting an American Splendor moment on canvas instead of drawing a comic based on his life, like I do for The Pekar Project webcomics series. I'm not sure if that's even been done before.
For the gallery show we did in Cleveland for Harvey's 70th Birthday, I adapted an illustration of Duke Ellington that ran on The Pekar Project into a painting [see above], and did some paintings of Harvey, but this is our first collaboration on a painting. The subject is emotional with not much dialogue. It's about people coming together. I also have an image in my mind for a solo piece as well, we'll see if time permits.
What else would you like to manifest?
Same-sex married couples can adopt unwanted or orphaned children in need of families.. hello?
I would like to see more self-sufficiency through urban homesteading; for example, composting, using rain water, turning your front lawn into a vegetable garden etc.
It would also be nice if we could wipe the stigma off mental illness in this country.